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The production takes place almost entirely in a dream world imagined by the central character, Big Joe—a world filled with surreal images and characters.The music combines early 20th century American blues and gospel with modern sounds, rhythms and syncopations to great effect, reminding us of the power of song in the face of loss and death in a darkly imaginative tale. Everyone knows the fairytale of Cinderella, and most people (in the Bay Area, at least) know what Tinder is.

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We’re delighted to welcome Sherri Young as our guest editor this month. Young is the founder and executive director of the African-American Shakespeare Company, a valued TBA member company—and producer of one of this month’s top Editors’ Picks, The Colored Museum!

Read on for a host of ways to spend your evenings enjoying the Bay Area’s creative bounty.

Elam, Jr.) “simultaneously celebrates, satirizes and subverts the African-American legacy.” This production divides the play’s 11 vignettes between four well-known Bay Area directors: Velina Brown, L. 10-28 The first incarnation of Jessica Hagedorn’s Dogeaters was a novel, published in 1990, winning the American Book Award and becoming a finalist for the National Book Award.

Peter Callender, Edris Cooper-Anifowoshe and Michael Gene Sullivan. On the urging of collaborators, Hagedorn adapted her bitingly satiric story of political oppression, social injustice, glamour and despair in Marcos-era Manila into a play that appears to embrace excess as both content and style. ) playing over 30 characters, simply seeing how this production will work is reason enough to go; top-notch actors such as Rinabeth Apostol, Charisse Loriaux, Lawrence Radecker, Carina Lastimosa Salazar, Jomar Tagatac and Ogie Zulueta seal the deal. Valley of the Heart San Jose Stage Company, San Jose Feb. 6 A new work written and directed by Luis Valdez (Zoot Suit) is not a thing to miss, especially when the topic is California history and the struggles of immigrant families—both Mexican American and Japanese American—during World War II.

I’m not sure what to make of a production that calls itself a world premiere while citing Los Angeles Times fanfare about the 2013, um, world premiere.

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