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Discussing the origins of his 13-hour film originally christened simply, But being “out” itself is the quintessential utopian modernist gesture, from the atonal breakthrough of the Neue Wiener Schule on through Cecil Taylor and beyond in music: to revolutionise an art form by “playing out”. The result is a cinema at once demonic and utopian.
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But it just as easy results in withdrawal and disconnection.
A loose term encapsulating their much-discussed internal conspiracy theme and the key organisational principle of Rivette’s cinema, the web also evokes networks of a less exotic nature, including the banal but vital pursuit of connections between people driven by desire for external meaning and continuity.
the entire magical, mysterious world in which I move would be shattered in a moment. An “inout” parameter might be used where the function needs to read and update some data belonging to the caller as a side effect of its main purpose. Such a key organising principle powers this caché of experimental feature films, a treasure-chest long hidden or difficult to access but now finally brought into the digital light.
– “Inout” (programming): A type or “mode” of function parameter that passes information in both directions – from the caller to the function and back to the caller, combining the in and out modes.
Masterpiece: James Stewart and Kim Novak in a scene from the 1958 film.