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Before long, Sara’s sweet-natured attentiveness sparks a stalker-like obsession in Safari.

He even gets Parvin to darken his snow-white hair, vainly hoping to appear more attractive to the young woman, and begins to haunt her workplace, causing trouble with her co-workers.

As Safari continues to spiral off the deep end, his everyday routine of going to the bakery — where he buys two pieces of fresh-baked sangak bread, one of which he delivers to a nearby home — is finally revealed as something other than what it initially seemed.

Now Safari, who at first evoked audience sympathy for his infirmity and loneliness, begins to appear more than a little scary.

Helmer Barzegar intentionally keeps the tempo slow and even; with the exception of a startling finale, he deliberately avoids dramatic moments, letting them take place offscreen.